Thursday, February 28, 2013

Justice Crew & The Collective - Clipsal 500 - Thursday, 28th February 2013

Justice Crew & The Collective
Clipsal 500
Thursday, 28th February 2013
Written by Tori Hyland


The Clipsal 500 had begun in Adelaide – the 4 day race that brings cars, bands and car fanatics together. But today the grounds sported tonnes of kid’s all dressed in a variety of school uniforms - including a large group of teenage girls gathered in front of the large concert stage.


Unlike previous years, the Clipsal had organised for the Thursday’s bands to play during the day rather than after the race to cater for the school students, and today’s live music was the popular mainstream acts Justice Crew and The Collective.


Justice Crew were first up – well known for winning the fourth season of Australia’s Got Talent as a Dance crew then moved onto songs of theirs going to the top of the charts. They entered with dramatic music before jumping into ‘Friday to Sunday’. Their vocals were a little off to begin with but recovered quickly busting out their signature moves – their strength. Showing off synchronised choreography hitting every beat earned them respect amongst the crowd and had them cheering for more.


Progressing through a dance mixture of both group and solo dances showing off each of their styles, including a ‘Gangnam Style’ break to add a little humour into the show. But it wasn’t all serious, the boys of Justice Crew are cheeky, they know they do well with the ladies adding some flirtatious moves whether it is pulling up their shirt slightly or crutch thrusts; they had the females in the palms of their hands. They spent a short amount of time after introducing each of the members, which I thought was an unusual and nice gesture. Their half an hour set was nearly over and definitely finished on a high with ‘Best Night’ and ‘Boom Boom’.


About a quarter of the crowd left afterwards, but the people left were all eager to see X Factor Season four Finalists, The Collective. They had only recently released their mini album featuring one original song along with seven covers of songs they performed on X Factor (minus bonus track ‘Last Christmas’) meaning they did not have heaps of repertoire and only played for a short 20 minutes. Opening with a cover of Jessie J’s ‘Domino’ had the crowd already pumped. Although you may think it was simply a cover, each of The Collective covers have been arranged in a different way with more harmonies, more raps and generally a quicker tempo. Progressing through with songs such as a medley of New Kid’s On The Block’s ‘You Got It (The Right Stuff) and Michael Jackson’s ‘Billie Jean’ as well as slowing it down with Ed Sheeran’s ‘Lego House’ created a great contrast. Only problem that occurred was prominent singer, William Singe’s microphone was not working correctly and the audience could barely hear him. Although this is a fault, it also reassures the audience that they are in fact singing live and not lip syncing which can commonly be thought about popular groups. His microphone was soon fixed after two songs.


I had watched The Collective on X Factor and although they did dance occasionally, I was nervous whether their onstage energy would lack because they are not primarily dancers, but that was not the case. They had a special connection with the audience - smiling and pointing at people in the crowd making that person feel special. They moved well and were choreographed a lot more, which was great to see such an improvement. With the tremendous harmonies, energetic dance moves and their general attractive appearance, they also had the ladies all over them.


Throwing in a cover of Justin Bieber’s ‘As Long As You Love Me’ and old favourite ‘Footloose’ had the audience singing along. Finishing with their single and original song ‘Surrender’ had the audience off their feet. It’s always good to see a group off of a reality singing program, because to do far you have to be somewhat a decent singer which usually reflects into their live show. You could tell the show had helped them develop as they had a great vocal technique as well as having the correct stage presence for what they needed.


The only disappointment was the bands left quickly after, not giving any opportunity for fans to really meet them, which might have been nice.
 
 



For more information on the Clipsal 500:
 





'Boom Boom' - Justice Crew
 
 
 
 
 
'Surrender' - The Collective

 

No comments:

Post a Comment